Tuesday, May 22, 2012

Exhaling

People often ask me if I paint every day. My answer is, "Sometimes." For whatever reason, I've never been a person who handles routine well, but it's more than just that. I'll cruise along and then suddenly stumble on an empty well right where I'd been finding inspiration for weeks. Then - I do something else.

Sometimes kids' schedules or a family vacation need to take precedence. Other times, I intentionally concentrate on writing, so painting gets pushed aside. (It happens the other way around, too.) Plenty of times, I just feel used up, and need to wait for the well to fill up again.

Dry spells - that's what I thought they were - used to worry me deeply. In my first few years as a painter, every time I lost my creative momentum I wondered if I'd ever find it again. At last I noticed that, like a wandering cat, it always comes home eventually. So at that point I began to relax into a rhythm of producing, and - noticing.

I've come to appreciate my times of soaking up impressions. I realize that I do a lot of work during these times, consciously or unconsciously exploring compositions suggested in everything I see around me. In fact, I do a lot of painting while I drive - but I don't think I'll get pulled over for it, since it all takes place in my head. It's like breathing - taking in images, producing work.


Recently I lost a very dear old friend to cancer. I made a twelve-hour road trip to say good-bye to her, and then a month later drove the same road again to her memorial service. Twelve hours on the road is a long time to gather images and impressions. I knew the initial trip and its purpose changed me, but I had no idea how richly the road itself had blessed me until I returned home to a new purpose, a new format, new colors and textures. I took a really deep breath there on the road to my friend - and now I'm singing.

Thursday, February 16, 2012

I wonder why I do this?

Gold Marsh (working) 30x40 acrylic on canvas

So, I get all ready to do something really abstract. I have a sketch I'm working from, something small I did a couple of years ago that I like, and now I'm going to go BIG (well, fairly big for me). And as I'm painting along, in the art zone, I'm putting in more and more stuff, and the image becomes more and more representational, less abstract. I'm mystified as to why I felt I needed to add detail. Now the painting is sort of half-and-half. I like balancing, normally, but I had planned to do something different. At this point I feel like I'm dealing with a split personality. The painting wants one thing, and I want another! I don't dislike this painting. (It's not signed, because it isn't done.) It's just that I was sure there was another painting in me wanting to get out and this one jumped the line somehow. Or else I'm simply afraid to permit myself to do abstract work, and that fear worked its way right into my art zone - yowie, I hope not!

Here's the sketch. I love the sketch. 9x12 acrylic on paper.

Saturday, February 4, 2012

New Winter Work

Winter Sunrise, 16x20" acrylic on canvas

Ghost Structure/Upper Champlain, 28x10" mixed media on panel

I love winter. Although I must admit it's been a few years since my cross-country skis have seen any appreciable action, I simply love the season for its stark beauty and its introspective atmosphere. And the colors! Subtle they may be compared to a summer garden, but so nuanced. So, lately I've been quite inspired to paint, and here's what's going on.

Ghost Structure/High Street West Paris Maine, mixed media on plywood